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Baltimore (Sky At Night) b​/​w Baltimore (County Line)

by Kevin Morby

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Kevin Morby: "I love Baltimore. It is a city with a giant heart and has remained one of my favorite places to keep returning to on tour. It is unique and beautiful and you can't mistake it for anywhere else in the world - Baltimore is one hundred percent Baltimore. All proceeds from both my and the label side will go to the Believe In Music education program, which provides "an innovative music education for Baltimore's youth". I do hope you enjoy both versions of the song and if you do decide to donate - thank you for contributing to what I believe to be a great cause.

I wrote Baltimore at the time I was conceiving both 'Singing Saw' and 'City Music' and recorded a version during both sessions with two different bands. I love the song dearly, but in the end thought that thematically it didn't belong on either album, and thus have been waiting for this moment to release it as what it has always been meant to be - a single."

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Believe In Music: Believe in Music is so grateful to generous and talented Kevin Morby for the donation of proceeds from his new release, "Baltimore." We feel strongly that both versions of the song reflect the character and unique vibe of Baltimore City. Having the support of successful, working musicians is incredibly meaningful for our students as they aspire to succeed through an education in music.

credits

released October 25, 2017

"Baltimore (Sky At Night)" features Sam Cohen on bass, Nick Kinsey on drums and Marco Benevento on piano. Recorded April 2015 at The Isokon in Woodstock, NY by Daniel Goodwin.

"Baltimore (County Line)" features Meg Duffy on bass and Justin Sullivan on drums. Recorded October 2015 at Panoramic Studios in Stinson Beach, CA by Drew Fischer.

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Kevin Morby Kansas City, Missouri

Kevin Morby writes (and records, and imagines) at an almost incomparable clip, and his most recent album, This Is A Photograph, studies life, time and mortality through myriad lenses. It’s a dynamic, buoyant record on big, heavy themes, so it only makes sense that Morby found he wasn’t quite done with it on its completion. More Photographs (A Continuum) finds new nooks, corners and vantage points. ... more

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